Daniela Yohannes lives and works in Guadeloupe in the French Caribbean. Her work reflects upon the racialised movement and conditional belonging of African diaspora, using her own Ethiopian-Eritrean heritage as a lens. 

Through abstract portraiture and storytelling across multiple media, Yohannes explores the overlap of individual and collective subconscious and desire, and the destruction caused by displacement. Her work dwells on alternative Black realities, considering the bonds between herself, her family and other communities through magical symbolism.

While her early collages and paintings of mystic figures were situated in dream spaces, a recent move into film has seen Yohannes anchor themes in the tensions of her real world surroundings. Guadeloupe’s terrain has so far provided rich means to consider her body and consciousness, the survival stories of displaced people, and atopia, the inhospitable environment where society cannot be built.

Yohannes’s current work embraces this newfound physicality further in its attempt to link her with the lives and geographies of others. By embracing forms of hybridity and considering the artefacts of diaspora as a means of travel in themselves, she has built a dedicated interdimensional machine from emotionally charged objects. Arranged within a shed in her garden, this ‘ship’ is now ready for use and the beginning of a new body of work.